Page 45 - July1998
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july  I998         N/JI NhL SJTTCN  BliJr-tETIN              187


       lorio's method  of including gold foil in glass.
          lorio purchased  these  gold foils or  "paillons"  in the shapes  of animate
       or inanimate objects  fFigure  2]from  the now defunct Swiss manufacturer
       Beyeler & Co. S.A. Europeans had used these same  "paillons"  as
       decoration for fancy porcelains.
           -7
          Yorio developed  a fascination  for glass paperweight  buttons  after
       seeing the work of Kaziun, lsrael, Winfield Rutter (1883-1962),  Francis
       Weinman (1865-1958),  and Thure Ericson (1913-1963).  According  to
       lorio, it wasn't until 1967 or 1968 that he, too, successfully  created his
       first very simple p.w.s  [Figure  3]. While he did pull some of his own
       canes, the majority were purchased, and, for the most part, made in
       Murano, ltaly by one of the glassworking Moretti families. Peter Ben
       (1BgB-1980)  of Millville,  New Jersey was also creating  single cane p.w.s
       with identical Moretti canes, making their respective  buttons almost
       indistinguishable  today.
          Among lorio's most successful  p.w.s and miniature paperweights
       were his diminutive  "closepacks"  comprised  of tightly packed  Moretti
       millefiori selling for a mere  $15. Bundles of colorful canes were drawn
       closely together in the paperweight tradition  of the great 19th century
       French glass factories of Baccarat,  Clichy, and St. Louis. Almost all of his
       pieces  are signed with lorio's  black  "1" cane appearing  somewhere in the
       bundle  [Fugures  4&5].
          In his circa 1980 price list, lorio offered the following  "special
       miniature  paperweight  buttons" ranging  in price from $25 to $30 and
       usually signed  wrth an orange, blue or black  "1" cane; red cherries/green
       leaf on coral ground  [Figure  6 left], miniature  black snake on orange
      ground with aventurine,  [Figure  6 right], forget-me-not/five  petal pink
      flower with yellow  stamen on black ground  [Figure  7 left], gold ruby
      Sandwich  rose with green leaf on black with aventurine flecks   [Figure  7
      rightl white calla  lily with green leaves, holly leaf and three red berries, a
      cattail with green  leaves, crocus with yellow stamen  and green leaf,
      johnny jump-up/five  petal yellow  and amethyst flower, and others  with
      various  24kt. gold inclusions.  lorio also made stickpins  and tie tacs ($10),
      paperweight  earrings ($18-$50),  and tiny footed paperweights  which
      duplicated the motifs  found in the buttons ($25-$50).
          -./or  some, the ultimate test of the twentieth century American  glass
      artist's skills has been the successful  creation of the Millville or "South
      Jersey"  rose. A true American original, this upright,  realistic, full-bodied
      rose fills the glass sphere containing it and is made by using a metal
      crimp  pressed  into hot glass to form the petals. Ralph Barber (1869-
      1936),  while working  at Whitall  Tatum & Co., Millville,  New Jersey,  is
      credited  with making the first Millville roses beginning  around 1900.
      Additional glass notables followed in creating these beautiful,  colorful
      roses including  Emil Larson  (1879-1970) and Charles Kaziun, both of
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