Page 29 - January1948
P. 29

NATIONAL BUTTON BULLETIN

        paintings on the buttons  shown here, may have been copies of any one of the
        nlany pictxres  done by these- men. The general tone of ttre cotors,  and the
        subjects chosen for the paintings,  are characteristic of the work of bottr men.
        .   Teniers, painted  pictures  not unlike button No. 3 showing a group drink-
        ing, seated before the door iu a rustic i''.   His painting i.  titn"a  in the
        soft evening  light, leaving high lights on the white tabte;loth. ihere is a
        nisty atmosphere  about the autumn tinted painting,  rvhich contrasts  well
        with the reds,  yellows  and durl blues.  The techniqu6  is right and-easy,  and
        th.e colors are gay and harmonious,  and there is a golden   -tone
                                                              to his work.
        His painting  shows the animated features of his characte"s,  *rricr, seem  to
        have stepped  out of comic opera; also delicate  bala.ce ana eiqui.ite harmony
       of color. Teniers was essentially ilre painter of pleasures  oi the ale-house
       and card-table.
           Adriaen  Brouwe. had a great respect for rural rife and in a very sirnple
       spirit he pai'ted,  manners  and men both outside a'd inside of homes,  as
       they appeared to his view. His people  are as r.eal as the scenes where he
       places  them.  They are mild_joyous  iompanio's;  they dance, .-oae, o"int.
       aud eat. He was of the rearistic  school a'd was the most ieiso"il  of the
       contempo'arv manners-of  all the Flemish painters of the 1?tir century. His
       work gives  more truthfnl pictures of life and is less theatricui it an Teniers.
           His paintings  of conternporary  manners with light tones are coDtrasted
       ge'tly with the warm shacles of the reds and golds.  nrouwer  shows  the
       real life of taverns and smoking roorns of Antwerp  rut witn an-economy  ot
       detail to his landscapes  and the backgrou'ds  of his rittle ngures.--
           Button No. 1 pictures  a couple dancing j'st  outside the kitchen door.
       These specinens  neasure one a'cl o'e-half inctres in diameter una tn" tna""
       bu.ttons-  were amollg the specimens shown during  the- F;;;;  prJgru*.  At
       other times they were exhibited in one of the show_cases.
                                                                S. A.
                                                           -L.
            GOLD  LEAF, IVORY, AND PEARL COMBINED  IN I8TH
                             CENTURY BUTTONS
           AD outstanding  bit of rvorkmanship was noticeable in these two lgth
       century buttons shown in Indiar-rapolis  in the Kohn collection.-  Cney are pic_
       tured here in actual size and are paintings  under  glass ano trave-copper  lims.


















           we will stalt at the foulldation of these charming pictures  so that yorr
       nray-better see the painstaliing  efforts  which went i't6  ine   of these
      tw0 buttons.                                       "r"ti"g
          An ivory plaque with three straight  sides having a rounded  top was
      cenrented  to a large round  disc of abalone shell pearl.  then the i,eniainder
      of the pea.l was varnished  and when tacky, gold leaf was ..r"}utrv  tuio
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