Page 42 - October1997
P. 42

Ar8

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       Atg                           A 2,1          422


         4-16. This is a difficult  button to depict or to describe! Sometimes known  as the "lovers' knot"
     design, it consists  of three heavy strands  curving  counter-clockwise  from the center, out and around to
     the base ofthe button. It has not been  observed  with  overlay trim and, with  the exception  ofone rather
     blurry  specimen  ofblack and green swirled slag,  is ofsolid  colors-transparent  pink, green, opaque yel-
     low, opaque  dark and light  blue, and  black.
         A-17. On this button  of moderately  high convexity, six rounded  ribs radiate  outward, curving
     clockwise  toward the base. This  is known in a button of black  and green swirled  slag.  Also cobalt  blue
     with  white  and solid opaque turquoise  as shown.
         A-18. Here  is another  type with  ribs twisted in a spiral,  but it differs  in several particulars  fiom
     A-17.  The ribs curve in the  opposite  direction  (counter-clockwise):  the ribs  are sharply  angular  rather
     than rounded: and,  from the  side, the  shape  ofthe  button  is seen  to be a fairly  high  cone  rather  than a
     rounded  dome. The button enjoys the distinction of being consistently  the  smallest  of the plain  tips,
     never being more  than  13132 of an inch  in diameter while a few can  even be squeezed  through  the 3/8
     inch  hole into the category  of the diminutives.  An opaque  white  specimen with swirled purple  overlay
     trim is shown,  but the button  occurs more frequently  as a paperweight: clear crowns  over bases ofwhite
     and gold,  ofwhite and blue, ofwhite and green  (shown),  and ofmottled  red, black,  blue and gold on
     white.
        A-19. Here's a bufton  to baffle most efforts  to describe  or depict.  lf, in imagination, the button  is
     divided into four pie-shaped wedges,  then the norlh and  south sections are  seen to be molded  into  two
     healy  horizontal ridges, and the east and west  sections  into  two equally  heavy vertical  ridges. In the  one
     example available,  however,  all this  omate shaping goes for nought,  being virtually invisible  in the but-
     ton's dark green glass with no overlay  trim to bring out the curves  and bulges.
         A-20.  Buttons ofthis  shape, and ofthe  following,  are birds  ofa slightly different feather amid all
     the swirlbacks  of the Plain Tip group. Being  of obviously different manufacture,  they are heavier  in
     appearance,  with  completely mold-formed  backs  and their  loop shanks of yellow metal  set in small
     shank plates.  This  shape,  A-20, suggests  the lower half of a sphere which  has  been  cut in half, the top
     somewhat hollowed  out, and a metal  tip set in this  concave  top. It is found in white glass striped  ineg-
     ularly with black  and goldstone,  in opaque  blue with goldstone  stripes,  in clear  glass with goldstone
     striping,  and in plain  clambroth.
         A-21.  This shape suggests  an acorn with  a bashed-in  top. The top is concave,  the slightly  curved
     sides almost  perpendicular  with a raised  and fluted  imitation  rim raised  around the base. It has been  dis-
     covered in clear glass  streaked with  goldstone,  also white  (as shown).
         A-22. This  button resembles A-17 in shape  except that the curve ofthe six ribs  is not as pro-
     nounced. It is chiefly remarkable  for the multiple use of plain metal tips. In addition  to the customary
     one at the center, two ofthese  small  metal  pellets  decorate  each rib. The  one  button  observed is trans-
     oarent cobalt blue.
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