Page 31 - May1990
P. 31

MAY  I99O         N.ATNONAN, BI]TTON tsUI,N,ETNN               77

                 PAPERWEIGHTS:  DOUBLE DELIGHT
                               by Betty Korostynski
         Many  button  collectors will recognize  this paperweight  button as a creation  of Mr.
      John Gooderham. Upon purchasing  it from him at the 1989 NBS convention in
      Minneapolis, MN. Mr. Gooderham  graciously  revealed the identity of its'co-artist.
      Mr. Gooderham showed  me an article  by Kathy M. Moyer  entitled  "Edward  D.
      Poore: A Multi-Faceted Career"  which appeared in the 1988 Annual  Bulletin  of the
      Paperweight Collectors'Assoc.,  Inc. Moyer's article  compares  techniques  used by Mr.
      Poore  when cutting  overlays on the Gooderham  mini-basket weight  versus  cuts on a
      large basket paperweight by Ray Banford.
         Besides  being "one of only three people  who restore  paperweights  today," Mr.
      Poore transformed  the above paperweight button into a double delight by using his
      innovative  faceting  technique on the colored outside  coatings ofglass which  are called
      overlays. Since the basket by Gooderham is a much smaller  version than Mr.
      Banford's  paperweight,  the cuts are "even more critical because there is literally  no
      room for error or correction" due to the size of the paperweight  as well as the thickness
      of the overlays.






















      Basket paperweight  with double  casing by John Gooderham. (Photo by Betty
      Korostynski.)

         Once Mr. Gooderham  has created  a paperweight  perfect in detail and shape he
      must then apply layers of colored  glass  to the entire surface. Mr. Poore cuts  away the
      pontil  so that Mr. Gooderhams'interior  design will be exactly centered.  Then using
      diamond  wheels  Mr. Poore slowly  cuts through the layers to expose the hidden design.
      Finally the entire  paperweight  is polished.  Out of approximately  100 attempts  only I I
      button  baskets  have "turned out to my satisfaction"  according to Mr. Gooderham.
      Such an intricate process makes it apparent why this is one of the most sought  after
      types of modern paperweight  buttons  and it should add more than  a double  delight to
      any button  collection.
      (The 1988 Paperweight Collectorb Bulletin also contains an article  by Mr. Poore with
      colored photographs clearly illustrating  his techniques.  Although limited in
      publication, you can obtain a copy of the PCA  Bulletin  with a check  for $25 to PCA,
      Inc., P.O. Box 468 Garden City Park, NY I1040)
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