Page 23 - May1964
P. 23

May, 1964         NAfiONAL  BUITON BULLETIN                   117
      l|t  coNSTRUCTtON                    Plant  Life  (f)
        Blown  (1)                         Spiral/Pinwheel  (g)
        Crackle i2)                        s*""("Ai  true slas) (h,
        Lacy  (3)                          ripped (j)
        Overlay Trim  (4,  a-j)
         Banded  (a)                     Overlay Sheaih (5,  a-c)
         Dird's  Egg or Spatt€r  (b)       Ribbon/Thread  (a)
         Dotted  (c)                       Transparent  (b)
         Qolted  and Banded  (same  button  (d)  Venetian (c)
         Goldstone (e)                   Overlay Sheet (6)
      Ribbon  and thread  (5a)  : canes that simulate  ribbon or thread are wrapp€d tighfly
      arolnd a core leaving it exposed  only around the shank. The core provid&  a frame-
      work, but has no decorative value.
      Transparent  (5b):  Ttrese are dainty, delicate litue beauties. The sheath,  which
      coats the core smoothly, may be of any tra.nsparent  color,  perhaps  enhanced  by
      overlay  tr1m. The  core, often  a fancy shape,  is nearly  alwats wrute. tt is visibla
     thru the sheath and mellows the button col,or.
     Venetian  (5c):  StructuraUy, these buttons  are like Venetian  beads. StraJrds of
     glass look as if ttrey might have been festooned  on with a pastry tube.  Golcl  luster
     is profusely  used on core or sheath. There  is a suspicion that sohe venetian  beads
     have  been converted  into buttons by the a,<ldition  of a pin-shank.  Be that as it
     may,  there are solid top examples  with wire shanks.
     overlay  sheet  (6)  Ttro (or  more) layers of glass of different colors fused together.
     Paperweight (1a,b)  construction consists  of the fusing together  of a set-up and a
     transparent  cap, also called a crown. The set-up  is independenily  ma.de and decor-
     a_tiyg in naturo. rt may form a base for the cap or the cap may cover it like the
     shell of- a nut. The cap may be baU-shape,  domed,  or moldid in any one of many
     fancy shapes. rt is usually,  but not always, clear. rt may  be beautified wittr over--
     lay trim, frosted or salt decorated.  The button  may have any type metal shank
     except key.  These features will be noted in the pictures  attrro [he buttons were
     selected  primarily  to illustrate set-up classes.
     set-up  at base (7a)  The button  has a high-rise  cap which  gives  no impression  of
     enveloping  the set-up.  principal   kinds  are:
     Cane Cross-section (a1):  A cane suitable  for paperweight  making is a slender glass
     cylinder, a fraction of an inch in diameter.  rt has a design running from end to
     end and seen in cross-section.  The cross-section,  or thin slice, is wtrat goes into a
     paperweight.  The flnest  canes contain silhouettes  of birds or animals almost too
     tiny to be seen with the naked eye. The secret  of such minute detail is this: The
     cylinder  is large around and short when first made.  The design, perhaps  made
     partly with a mold, is large too. rt becomes  tiny when the cylinder is warmed and
     stretched until it is a.s long and thin as wanted. stretching  does not distori the ate-
     sign in the least; it remairx  perfectly true as it gets smaller and smaller  a.nd
     smaller.-  rn antique  buttons, sirhouette canes are accompanied  by filigree and other
     embellishment.  canes with patterns other than silhouett€s  (stai,  or other conven-
     tionar motif) may  be of a size to use singly for a set-up.  r.ook for them in charm
     sfring glass  not much larger  than diminutive.
     cane twisted  (a2):  A glass rod is like a cane except  that it is one solid. color. Twis-
     ted-canes, showing two or more colors  on the outside,  are ma.de by winding rods to-
     gether.  I'hey are used, not in crpss-section,  but like lengttx of ribbon. sometimes
     a twisted  cane lies on the set-up in a loose spiral,  sometimes  in a tight  coU, or per-
     haps in straight lines, or in what looks  like basket  weave.  (These  ca-nes  are wed as
     overlay trim as well as in paperweights.)
     Filigree  (aB):  Authorities  say that set-ups with lace ma.de of  ,,glass  thread,,  are of
     t|o  different  constructions.  The lace may have been sliced from a cane  made
     partly with a mold; its name is filigree. or it may be latticinio, a mettrod requiring
     puch.porg skill. It appears that old-time  button  makers always used filigiee, aI
     least ttrat is the expert's  opinion. Let us then forget latticinio Lxcept for modern
     p.w.buttons  and speak of filigree  set-ups. The p.w.'s which  exhibit iiligree to the
     best advantage  have no design  except the lace. This is one of the very scarce kinds.
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